Norwegian progressive extreme metal band ENSLAVED have just released their brand new masterpiece „RIITIIR” today. “RIITIIR” embodies a lot more of what has come to be known as ENSLAVED: indefinable and grandiose, honest and unearthly, dark, harsh, and beautiful. The press agrees: “Enslaved is back - stronger than perhaps ever. Brutal, epic and with a message to deliver.” Håkon Grav, Scream Magazine (N) "Enslaved return with yet another slab of progressive brilliance. Utterly spellbinding." Amit Sharma, METAL HAMMER “RIITIIR has it all : aggression, immediacy, depth, catchiness and staying power, to a degree that makes it’s 67 minutes seem like a few exhilarating seconds you must repeat as often as possible” Jose Carlos Santos / Terrorizer (UK) METAL HAMMER (D) Soundcheck #1 LEGACY (D) Soundcheck # 1 METAL HAMMER (PL) Album of the Month ROCK HARD (D) Soundcheck #4 Powermetal.de Soundcheck #2 Get your copy in the Nuclear Blast Shop: http://www.nuclearblast.de/de/shop/artikel/gruppen/51000.1.nuclearblast.html?article_group_sort_type_handle=rank&custom_keywords=riitiir The Itunes (album incl. booklet) you get here: http://bit.ly/eriitiir The following is the seventh of eight installments where rhythm guitarist/songwriter/lyricist Ivar Bjørnson and bassist/vocalist/lyricist Grutle Kjellson of the Norwegian progressive extreme metal band ENSLAVED offer insight on the tracks to their twelfth studio album, RIITIIR, due out in Europe on September 28th. Bjørnson on RIITIIR Track #7, “Storm Of Memories”: “Alright, much like ENSLAVED’s career, this song could be described with the sports term ‘a working victory’ (it might surprise some that we didn't get where we are just because of our strikingly good looks and a talented costume designer). It was the first song to be written for this album but the last one to fall into place completely. Obviously, I'm talking about the first section of the song - the second half is more ‘normal ENSLAVED’ (okay, that is funny) and it more or less worked itself out during the rehearsal sessions. On the other hand, I wasn't completely getting the right atmosphere from the first rounds of the band adding their instruments in the studio on the first part: the demos from the previous year still had more of a ‘vibe’ to them than we were getting in the studio. Luckily, co-producer Iver [Sandøy] had an equally wholehearted belief in the song and really dived into the task of getting the best out of the song. His ideas - for the arpeggio that Herbrand [Larsen, keyboard player & clean vocalist] wrote out on his keys, along with his ideas for percussion and some effects - became the spark that ignited the song in the end, which turned out to be one of the best we've done! The last pieces were the somewhat disturbing chanting by yours truly and of course Jens Bogren's perfect mix. Obviously, he's done a fantastic job on the entire album, but I feel the need to point out how integral he is particularly on this (working victory of a) song. Lyrically, we might be looking at some weird mix of a literal interpretation of the title and the inner/physical workings of the rituals and/or mental processes (depending on whether you're wearing a wizard’s hat or a lab coat) intended to cause willed change on either or both sides of the ‘reality border.’ This is the song where abstracts and concretes meet in the hope of conjuring up a storm...” Kjellson on “Storm Of Memories”: “This song sounds like the title strongly indicates: a storm of memories! Intense like a storm from within. This was the first song Ivar wrote for the album, actually just a few months after the release of the Axioma album. The funny thing is that where the first song written for a new album tends to sound like the previous album, this one doesn’t! In fact, this one does not sound like either Axioma or Riitiir. This song is something like a deserted island in the ENSLAVED ocean (okay, that sounds cheesy)